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23III. Con moto e espressione
I. Adagio - Allegro agitato -
I. (formal development section arrives) -
I. (vigorous, highly allusive development of the first theme) -
II. Adagio ma non troppo, cantabile e sostenuto -
II. (a bridge passage beginning with violin and flute solos) -
II. (a development of the original polyphonic complex) -
II. (the third span begins with a musing clarinet solo)
III. (a kind of slow waltz, with violin solo) -
III. (reappearence of the rondo-theme on trombones)
I. (the motto returns again to initiate an eventful development) -
I. (elegantly lyrical tune for oboe with flute and harp accompaniment) -
I. (sinister reiterations of a 3-note figure) -
I. (the return of the 4-note motto) -
I. (a mysterious episode of nagging triplet rhythms) -
II. (a poignant new idea, first heard on solo oboe) -
II. (opening theme now returns on cellos) -
II. (a more defined march-music takes over) -
II. (final return of the main theme)
III. Allegro ma non tanto -
III. (a little woodwind cadenza leads back to the rondo music) -
III. (a different and irreverent snatch of folk-song from a bassoon)
℗© 2011 Naxos
