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2Brandenburg Concerto No. 2 in F Major, BWV 1047: I. Allegro (Excerpt)
Hurtling Through Interstellar Space
Prelude in C Major, BuxWV 137: I. Prelude - II. Fugue (Excerpt)
After the Street Brawl and the Trip to See Buxtehude
Toccata & Fugue in F Major, BWV 540: I. Toccata (Excerpt)
Yet Buxtehude and the Northern German Musical Culture
Organ Concerto in C Major, BWV 594 (Excerpt)
Historians Have Argued That the Lesson Bach Learned
Double Violin Concerto in D Minor, BWV 1043: II. Largo, ma non tanto (Excerpt)
During Bach's Nearly Six Years at Köthen
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 24 in B Minor, BWV 869: II. Fugue (Excerpt)
The Second Köthen Composition That Has Come To Define
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. — (Excerpt)
However Productive Bach May Have Been at Köthen
St. Matthew Passion, BWV 244, Pt. 2: No. 39, Erbarme dich, mein Gott, um meiner Zähren Willen (Excerpt)
Bach’s Musical Activities in the Years Following
Piano Concerto No. 1 in D Minor, BWV 1052: I. Allegro (Excerpt)
As Well as Its Regular Weekly Concerts
Musikalisches Opfer, Op. 6, BWV 1079: Sonata à 3, Allegro (Excerpt)
Despite Bach’s Travelling and Various Guest Appearances
The Art of Fugue, BWV 1080: Contrapunctus inversus XII à 4 (Excerpt)
As Well as Exhibiting Bach’s Penchant for the Theoretical Aspect
Mass in B Minor, BWV 232: Dona nobis pacem (Excerpt) [1]
We Know of Nothing That Bach Composed After This Movement
Mass in B Minor, BWV 232: Dona nobis pacem (Excerpt) [2]
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