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J.L. Bach: Suite in G - Air I
Biber: Mensa sonora / PARS I (In D Major) - 1. Sonata. Grave - Allegro
Biber: Mensa sonora / PARS I (In D Major) - 2. Allamanda
Biber: Mensa sonora / PARS I (In D Major) - 3. Courante
Biber: Mensa sonora / PARS I (In D Major) - 4. Sarabanda
Biber: Mensa sonora / PARS I (In D Major) - 5. Gavotte
Biber: Mensa sonora / PARS I (In D Major) - 6. Gigue - Sonatina. Adagio
Biber: Mensa sonora / PARS II (In F Major) - 1. Intrada. Alla breve
Biber: Mensa sonora / PARS II (In F Major) - 2. Balletto. Alla breve (I)
Biber: Mensa sonora / PARS II (In F Major) - 3. Sarabanda (I)
Biber: Mensa sonora / PARS II (In F Major) - 4. Balletto. Alla breve (II)
Biber: Mensa sonora / PARS II (In F Major) - 5. Sarabanda (II)
Biber: Mensa sonora / PARS II (In F Major) - 6. Balletto. Alla breve (III)
Biber: Mensa sonora / PARS III (In A Minor) - 1. Gagliarda. Allegro
Biber: Mensa sonora / PARS III (In A Minor) - 2. Sarabanda
Biber: Mensa sonora / PARS III (In A Minor) - 3. Aria
Biber: Mensa sonora / PARS III (In A Minor) - 4. Ciacona
Biber: Mensa sonora / PARS III (In A Minor) - 5. Sonatina. (Adagio - Presto)
Heinichen: Concerto in F Major, Seibel 234 - I. Vivace
Heinichen: Concerto in F Major, Seibel 234 - II. Adagio
Heinichen: III. Un poco Allegro
Heinichen: Concerto in F Major, Seibel 234 - IV. Allegro
Heinichen: Concerto in G Major, S. 213 - I. Allegro (I)
Heinichen: Concerto in G Major, S. 213 - II. Larghetto
Heinichen: Concerto in G Major, S. 213 - III. Allegro (II)
Heinichen: Concerto in G Major, S. 213 - IV. Entrée
Heinichen: Concerto in G Major, S. 213 - V. Loure. Cantabile
Heinichen: Concerto in G Major, S. 213 - VI. Tempo di Menuet - Air italienne
Heinichen: Concerto in F Major, S. 235 - I. Vivace
Heinichen: Concerto in F Major, S. 235 - II. Andante
Heinichen: Concerto in F Major, S. 235 - III. Presto
Heinichen: Concerto in F Major, S. 235 - IV. Alla breve
Heinichen: Concerto in F Major, S. 235 - V. Allegro
Heinichen: Concerto in F Major, Seibel 233 - I. Allegro
Heinichen: Concerto in F Major, Seibel 233 - II. Andante più tosto un poco Allegro
Heinichen: Concerto in F Major, Seibel 233 - III. Presto
Gluck: Alessandro. (Les amours d'Alexandre et de Roxane) - Ballo. Sinfonia
Gluck: Alessandro. (Les amours d'Alexandre et de Roxane) - 1. Marche
Gluck: Alessandro. (Les amours d'Alexandre et de Roxane) - 2. Andantino
Gluck: Alessandro. (Les amours d'Alexandre et de Roxane) - 3. Allegretto
Gluck: Alessandro. (Les amours d'Alexandre et de Roxane) - 4. Moderato
Gluck: Alessandro. (Les amours d'Alexandre et de Roxane) - 5. Menuetto - (Trio) - Menuetto
Gluck: Alessandro. (Les amours d'Alexandre et de Roxane) - 6. Antipoisino
Reincken: Sonata in A minor - 1. Adagio - 2. Allegro - 3. Largo/Presto/Adagio/Allegro
Reincken: Sonata in A minor - 4. Allemande. Allegro
Reincken: Sonata in A minor - 5. Courante
Reincken: Sonata in A minor - 6. Sarabande
Reincken: Sonata in A minor - 7. Gigue. Presto
Westhoff: Sonata "La guerra" in A Major - 1. Adagio con una dolce maniera - Allegro
Westhoff: Sonata "La guerra" in A Major - 2. Tremulo Adagio
Westhoff: Sonata "La guerra" in A Major - 3. Allegro ovvero un poco presto
Westhoff: Sonata "La guerra" in A Major - 4. Adagio
Westhoff: Sonata "La guerra" in A Major - 5. Aria (Adagio assai)
Westhoff: Sonata "La guerra" in A Major - 6. La Guerra cosí nominata di sua maestà
Westhoff: Sonata "La guerra" in A Major - 7. Aria (Tutto Adagio)
Westhoff: Sonata "La guerra" in A Major - 8. Vivace
Westhoff: Sonata "La guerra" in A Major - 9. Gigue
Pachelbel: Partie (Suite) in G Major - I. Sonatina (Adagio)
Pachelbel: Partie (Suite) in G Major - II. Allemande
Pachelbel: Partie (Suite) in G Major - III. Gavotte
Pachelbel: Partie (Suite) in G Major - IV. Courante
Pachelbel: Partie (Suite) in G Major - V. Aria
Pachelbel: Partie (Suite) in G Major - VI. Sarabande
Pachelbel: Partie (Suite) in G Major - VII. Gigue
Pachelbel: Partie (Suite) in G Major - VIII. Finale. Adagio
Pachelbel: Canon and Gigue in D Major - I. Canon
Pachelbel: Canon and Gigue in D Major - II. Gigue
Riedl: Ein langer und schöner Aufzug (Ein schöner Aufzug By Pater Ignatius Augustiner) - Fanfare I (Riedl) + Fanfare II (Augustiner)
Biber: Missa Salisburgensis - I. Kyrie
Biber: Missa Salisburgensis - II. Gloria
Biber: Sonatae tam aris quam aulis servientes - XII. Sonata a 8
Biber: Missa Salisburgensis - III. Credo
Biber: Sonatae tam aris quam aulis servientes - V. Sonata a 6
Biber: Missa Salisburgensis - IV. Sanctus - Benedictus
Biber: Missa Salisburgensis - V. Agnus Dei
Biber: Sancti Polycarpi á 9
Biber: Plaudite tympana á 54
Biber: Mass In B à 6 - Kyrie
Biber: Mass In B à 6 - Gloria
Megerle: Peccator and consolator (à 2)
Biber: Mass In B à 6 - Sanctus
Frescobaldi: Praeludium legatura
Biber: Mass In B à 6 - Agnus Dei
Lassus: Ave verum corpus (à 6)
Biber: Requiem In F Minor - Introitus
Biber: Requiem In F Minor - Kyrie (I)
Biber: Requiem In F Minor - Dies irae
Biber: Requiem In F Minor - Domine Jesu Christe
Biber: Requiem In F Minor - Sanctus (I)
Biber: Requiem In F Minor - Agnus Dei (I)
Biber: Requiem In F Minor - Lux aeterna
Biber: Sonata violino solo representativa (In A Major) - Sonata: Allegro
Biber: Sonata violino solo representativa (In A Major) - Die Nachtigall (The Nightingale)
Biber: Sonata violino solo representativa (In A Major) - Cucu
Biber: Sonata violino solo representativa (In A Major) - Der Frosch (The Frog)
Biber: Sonata violino solo representativa (In A Major) - Allegro: Die Henne. Der Hahn (The Hen And The Cock)
Biber: Sonata violino solo representativa (In A Major) - Adagio: Die Wachtel (The Quail)
Biber: Sonata violino solo representativa (In A Major) - Die Katz (The Cat)
Biber: Sonata violino solo representativa (In A Major) - Musketier-Marsch (Musketeer March)
Biber: Sonata violino solo representativa (In A Major) - Allemande
Biber: Mensa sonora / PARS IV (In B Flat Major) - 1. Sonata. (Grave - Allegro - Adagio)
Biber: Mensa sonora / PARS IV (In B Flat Major) - 2. Allamanda
Biber: Mensa sonora / PARS IV (In B Flat Major) - 3. Courante
Biber: Mensa sonora / PARS IV (In B Flat Major) - 4. Balletto
Biber: Mensa sonora / PARS IV (In B Flat Major) - 5. Sarabanda
Biber: Mensa sonora / PARS IV (In B Flat Major) - 6. Gigue. Presto
Biber: Mensa sonora / PARS IV (In B Flat Major) - 7. Sonatina. Adagio
Biber: Mensa sonora / PARS V (In E Major) - 1. Intrada. Allegro
Biber: Mensa sonora / PARS V (In E Major) - 2. Balletto
Biber: Mensa sonora / PARS V (In E Major) - 3. Trezza
Biber: Mensa sonora / PARS V (In E Major) - 4. Gigue (I)
Biber: Mensa sonora / PARS V (In E Major) - 5. Gavotte. Alla breve
Biber: Mensa sonora / PARS V (In E Major) - 6. Gigue (II)
Biber: Mensa sonora / PARS V (In E Major) - 7. Retirada
Biber: Mensa sonora / PARS VI (In G Minor) - 1. Sonata (Adagio - Presto)
Biber: Mensa sonora / PARS VI (In G Minor) - 2. Aria
Biber: Mensa sonora / PARS VI (In G Minor) - 3. Canario. Presto
Biber: Mensa sonora / PARS VI (In G Minor) - 4. Amener
Biber: Mensa sonora / PARS VI (In G Minor) - 5. Trezza
Biber: Mensa sonora / PARS VI (In G Minor) - 6. Ciacona
Biber: Mensa sonora / PARS VI (In G Minor) - 7. Sonatina. Adagio - Presto
Heinichen: Sonata in A Major, S. 208 - I. Allegro (I)
Heinichen: Sonata in A Major, S. 208 - II. Adagio e staccato
Heinichen: Sonata in A Major, S. 208 - III. Allegro (II)
Heinichen: Concert Movement in C Minor Seibel 240 - Vivace
Heinichen: Concerto in F Major, Seibel 231 - I. Vivace
Heinichen: Concerto in F Major, Seibel 231 - II. Arioso
Heinichen: Concerto in F Major, Seibel 231 - III. Allegro
Biber: Harmonia artificioso-ariosa / Partia I - Sonata. Adagio - Presto - Adagio
Biber: Harmonia artificioso-ariosa / Partia I - Allamande
Biber: Harmonia artificioso-ariosa / Partia I - Gigue - Variatio I & II
Biber: Harmonia artificioso-ariosa / Partia I - Aria
Biber: Harmonia artificioso-ariosa / Partia I - Sarabande - Variatio I & II - Finale. Presto
Biber: Harmonia artificioso-ariosa / Partia II - Praeludium
Biber: Harmonia artificioso-ariosa / Partia II - Allamande - Variatio
Biber: Harmonia artificioso-ariosa / Partia II - Balletto. Allegro
Biber: Harmonia artificioso-ariosa / Partia II - Aria. Presto
Biber: Harmonia artificioso-ariosa / Partia II - Gigue. Presto
Biber: Harmonia artificioso-ariosa / Partia III - Praeludium. Allegro
Biber: Harmonia artificioso-ariosa / Partia III - Allamande
Biber: Harmonia artificioso-ariosa / Partia III - Amener. Presto
Biber: Harmonia artificioso-ariosa / Partia III - Balletto
Biber: Harmonia artificioso-ariosa / Partia III - Gigue
Biber: Harmonia artificioso-ariosa / Partia III - Ciacona (Canon In Unisono)
Biber: Harmonia artificioso-ariosa / Partia IV - Sonata. Adagio - Allegro - Adagio
Biber: Harmonia artificioso-ariosa / Partia IV - Allamande
Biber: Harmonia artificioso-ariosa / Partia IV - Trezza. Presto
Biber: Harmonia artificioso-ariosa / Partia IV - Aria
Biber: Harmonia artificioso-ariosa / Partia IV - Canaria
Biber: Harmonia artificioso-ariosa / Partia IV - Gigue. Presto
Biber: Harmonia artificioso-ariosa / Partia IV - Pollicinello. Presto
Biber: Harmonia artificioso-ariosa / Partia V - Intrada. Alla breve
Biber: Harmonia artificioso-ariosa / Partia V - Aria. Adagio
Biber: Harmonia artificioso-ariosa / Partia V - Balletto. Presto
Biber: Harmonia artificioso-ariosa / Partia V - Gigue
Biber: Harmonia artificioso-ariosa / Partia V - Passacaglia. (Adagio) - Allegro - Adagio
Biber: Harmonia artificioso-ariosa / Partia VI - Praeludium. Adagio - Allegro
Biber: Harmonia artificioso-ariosa / Partia VI - Aria - Variatio I-XIII
Biber: Harmonia artificioso-ariosa / Partita VI - Finale. Adagio - Allegro
Biber: Harmonia artificioso-ariosa / Partia VII - Praeludium. Grave - Presto
Biber: Harmonia artificioso-ariosa / Partia VII - Allamande
Biber: Harmonia artificioso-ariosa / Partia VII - Sarabande
Biber: Harmonia artificioso-ariosa / Partia VII - Gigue. Presto
Biber: Harmonia artificioso-ariosa / Partia VII - Aria
Biber: Harmonia artificioso-ariosa / Partia VII - Trezza
Biber: Harmonia artificioso-ariosa / Partia VII - Arietta variata
J.M. Bach: Ach, bleib bei uns, Herr Jesu Christ
J.M. Bach: Auf, laßt uns den Herren loben
J.M. Bach: Es ist ein großer Gewinn
J.M. Bach: Liebster Jesu, hör mein Flehen Dialog zum Sonntag Reminiscere
J.M. Bach: Ach, wie sehnlich wart' ich der Zeit
G.C. Bach: Siehe, wie fein und lieblich Geburtstagskantate (Psalm 133)
J. Christoph Bach: Es erhub sich ein Streit Kantate zum Michaelissonntag
J. Christoph Bach: Ach, dass ich Wassers g'nug hätte Lamento
J. Christoph Bach: Die Furcht des Herren Kantate zu einem Ratswechsel
H. Bach: Ich danke dir, Gott Kantate zum 17. Sonntag nach Trinitatis
J. Christoph Bach: "Ach, dass ich Wassers g'nug hätte" Lamento
J.S. Bach: Languet anima mea, App. C (After F.B. Conti) - I. Recitativo: Languet anima mea
J.S. Bach: Languet anima mea, App. C (After F.B. Conti) - II. Aria: O vulnera, vita coelestis
J.S. Bach: Languet anima mea, App. C (After F.B. Conti) - III. Recitativio: Amoris tui jaculo
J.S. Bach: Languet anima mea, App. C (After F.B. Conti) - IV. Aria: Tu lumentis es
J.S. Bach: Languet anima mea, App. C (After F.B. Conti) - V. Alleluja
J.S. Bach: Vergnügte Ruh, beliebte Seelenlust Cantata, BWV 170 - I. Aria: Vergnügte Ruh', beliebte Seelenlust
J.S. Bach: Vergnügte Ruh, beliebte Seelenlust Cantata, BWV 170 - 2. Rec.: Die Welt, das Sündenhaus
J.S. Bach: Vergnügte Ruh, beliebte Seelenlust Cantata, BWV 170 - 3. Aria: Wie jammern mich doch die verkehrten Herzen
J.S. Bach: Vergnügte Ruh, beliebte Seelenlust Cantata, BWV 170 - 4. Rec.: Wer sollte sich demnach wohl hier
J.S. Bach: Vergnügte Ruh, beliebte Seelenlust Cantata, BWV 170 - 5. Aria: Mir ekelt mehr zu leben
J.S. Bach: Cantata "Bekennen will ich seinen Namen" BWV 200 (After Stölzel) - 1. Aria: "Bekennen will ich seinen Namen"
C.P.E. Bach: Selma, Wq. 236
J.C.F. Bach: Die Amerikanerin - Allegretto: Saide, komm!
J.C.F. Bach: Die Amerikanerin - Andantino grazioso: Schön ist mein Mädchen - Repr.: Saide, komm
J.C.F. Bach: Die Amerikanerin - Recitativo: Du Quell, der sich durch Goldsand schlängelt
J.C.F. Bach: Die Amerikanerin - Allegro: Mein Herz fleucht ihr entgegen - Larghetto graziosos: Wie Ambraduft
J.L. Bach: Suite in G - Ouverture
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