PODCAST

Exploring Music Podcast

Lionel Lodge

The SyncLodge Podcast Series Exploring Music, where we explore the obscure, where we delve in deep, into the vast vaults of great, but maybe, not so known, music and the industry that, for better or worse, supports it.. For each episode we bring together two music industry professionals, to discuss in depth an area of music, and/or the industry, they are passionate about and have an intimate knowledge of. Each episode has a link to a playlist, in the episode description, with all the music and artists mentioned during the conversation. The list is in order of mention.

Exploring Music E 15 Lyrics and Melodies part 02 of 02 with Alexandra Carlsson Norlin and Federica Farronato
04-11-2019
Exploring Music E 15 Lyrics and Melodies part 02 of 02 with Alexandra Carlsson Norlin and Federica Farronato
Alexandra and Federrica discuss the importance, the difference and the relationship lyrics and melodies have in sync licensing and in personal lives.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Alexandra Carlsson Norlin, who studied International Relations at the Stockholm University, has, for almost six years held the title of Music Supervisor in the London office of the international company Big Sync Music. She’s worked on numerous global projects where she’s been in charge of music on both the legal and creative side. This includes everything from finding and licensing existing tracks to creating original compositions and re-records. Her project client list includes AXE, Dove, Lipton, Casper and a ton more Unilever brands. Federica Farronato, who holds a Bachelor’s Degree in Mass Communication and Media Studies from the University of Padua, Italy and studied Advanced Marketing at the City University London, is the Sync Manager at Chrysalis Records and Blue Raincoat Music. Before Chrysalis Federica was Music Supervisor at Big Sync Music. Federica also has extensive experience in radio and music PR. She is an enthusiastic and creative individual, with a strong history of working with teams and working to tight deadlines. She says her enjoyment and critical interest in the media ( music, radio, television, film journalism, and new media) has increased continuously throughout her professional career. We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 14 Lyrics and Melodies part 01 of 02 with Alexandra Carlsson Norlin and Federica Farronato
04-11-2019
Exploring Music E 14 Lyrics and Melodies part 01 of 02 with Alexandra Carlsson Norlin and Federica Farronato
Alexandra and Federrica discuss the importance, the difference and the relationship lyrics and melodies have in sync licensing and in personal lives.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Alexandra Carlsson Norlin, who studied International Relations at the Stockholm University, has, for almost six years held the title of Music Supervisor in the London office of the international company Big Sync Music. She’s worked on numerous global projects where she’s been in charge of music on both the legal and creative side. This includes everything from finding and licensing existing tracks to creating original compositions and re-records. Her project client list includes AXE, Dove, Lipton, Casper and a ton more Unilever brands. Federica Farronato, who holds a Bachelor’s Degree in Mass Communication and Media Studies from the University of Padua, Italy and studied Advanced Marketing at the City University London, is the Sync Manager at Chrysalis Records and Blue Raincoat Music. Before Chrysalis Federica was Music Supervisor at Big Sync Music. Federica also has extensive experience in radio and music PR. She is an enthusiastic and creative individual, with a strong history of working with teams and working to tight deadlines. She says her enjoyment and critical interest in the media ( music, radio, television, film journalism, and new media) has increased continuously throughout her professional career. We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 13 Music Industry Navigation for New Artists Part 02 of 02 with Peter Moore and Mark Jennings
04-11-2019
Exploring Music E 13 Music Industry Navigation for New Artists Part 02 of 02 with Peter Moore and Mark Jennings
This episode is going to be a little different from the others. In this episode we will be discussing advice for new artists, how to prepare for live shows/festivals - how to stand out from the crowd and why new music finds it very difficult to get seen and heard. Peter Moore, has been working in the entertainment industry for over 25 years including holding the position of product manager at Sony Records. He is the Co-Founder of PRB Media and also of Seamless Entertainment Ltd. PRB Media places music in film & TV, with clients including Universal, Paramount, HBO, Disney and Warner Brothers. Seamless Entertainment was formed through the Prince’s Trust and has produced live events for audiences ranging in size of up to 50,000 people. With strong expertise in music festival management, Peter advises UK & European festivals on structure and financing. Peter has also advised young people on the Music, Film & TV industries under the New Deal for the Media program with the UK Government. For this work, Peter was awarded entrepreneur of the year, two years running, by the Institute of UK Directors and Hewlett Packard. Peter continues his advisory work, working with the UK music industry governing bodies, including the Association of Independent Musicians. And joining Peter is Mark Jennings. Mark is CEO of Subba Media, which runs Subba-Cultcha.com, a fan generated reviews platform for music and festivals. Mark has worked in digital publishing and advertising his whole career. He's witnessed the change in audience participation across digital media and is aiming to disrupt the music media landscape through Subba Media.  Subba Media runs Subba-Cultcha.com, a TripAdvisor style fan reviews platform for music and festivals.  Peer-to-peer content is trusted by fans, festivals, artists and venues and aims to put artist’s and fans center stage. Subba-Cultcha.com publishes over 6,500 fan reviews per year; featuring reviews of more than 3,000 bands/artists and over 150 festivals in the US/Europe/Asia.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 12 Music Industry Navigation for New Artists Part 01 of 02 with Peter Moore and Mark Jennings
04-11-2019
Exploring Music E 12 Music Industry Navigation for New Artists Part 01 of 02 with Peter Moore and Mark Jennings
This episode is going to be a little different from the others. In this episode we will be discussing advice for new artists, how to prepare for live shows/festivals - how to stand out from the crowd and why new music finds it very difficult to get seen and heard. Peter Moore, has been working in the entertainment industry for over 25 years including holding the position of product manager at Sony Records. He is the Co-Founder of PRB Media and also of Seamless Entertainment Ltd. PRB Media places music in film & TV, with clients including Universal, Paramount, HBO, Disney and Warner Brothers. Seamless Entertainment was formed through the Prince’s Trust and has produced live events for audiences ranging in size of up to 50,000 people. With strong expertise in music festival management, Peter advises UK & European festivals on structure and financing. Peter has also advised young people on the Music, Film & TV industries under the New Deal for the Media program with the UK Government. For this work, Peter was awarded entrepreneur of the year, two years running, by the Institute of UK Directors and Hewlett Packard. Peter continues his advisory work, working with the UK music industry governing bodies, including the Association of Independent Musicians. And joining Peter is Mark Jennings. Mark is CEO of Subba Media, which runs Subba-Cultcha.com, a fan generated reviews platform for music and festivals. Mark has worked in digital publishing and advertising his whole career. He's witnessed the change in audience participation across digital media and is aiming to disrupt the music media landscape through Subba Media.  Subba Media runs Subba-Cultcha.com, a TripAdvisor style fan reviews platform for music and festivals.  Peer-to-peer content is trusted by fans, festivals, artists and venues and aims to put artist’s and fans center stage. Subba-Cultcha.com publishes over 6,500 fan reviews per year; featuring reviews of more than 3,000 bands/artists and over 150 festivals in the US/Europe/Asia.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 11 Longform: Production Music Verses Scored part 02 of 02 with Matt Cansick and Emily Richardson
04-11-2019
Exploring Music E 11 Longform: Production Music Verses Scored part 02 of 02 with Matt Cansick and Emily Richardson
In this episode Matt and Emily discuss the world of Production Music and Scored Music composed and recorded for sync in visual media (TV, film, advertising, trailers)Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Matt Cansick, who is Account Manager at BMG Production Music and has a BA Honors in History from the University of Sheffield and also holds a private pilots license started his career at The Music Sales Group as their Third Party Licensing Administrator, from there he moved over the Warner/Chappell Production Music as a Music Consultant. After two and a half years at Warner/Chappell he took the position of Senior Music Consultant at Amphibious Zoo Music, which led him to his current position at BMG Production Music. And joining Matt is Emily Richardson. Emily, who is Head of Creative, Film & Trailers at The Music Sales Group and has a BA Honors in Music from the University of Sussex, started her career as an intern at Air Studios and then at Air-Edel. Her first Music Supervisor position was at SUPAJAM which lead her to Warner/Chappell Production Music where she held the position of Senior Music Consultant. From Warner Emily went on to be Director, Synchronisation at Nettwerk Music Group and from there to her current position at The Music Sales Group which is one of the world’s leading independent music publishing companies with offices around the globe.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 10 Longform: Production Music Verses Scored part 01 of 02 with Matt Cansick and Emily Richardson
04-11-2019
Exploring Music E 10 Longform: Production Music Verses Scored part 01 of 02 with Matt Cansick and Emily Richardson
In this episode Matt and Emily discuss the world of Production Music and Scored Music composed and recorded for sync in visual media (TV, film, advertising, trailers)Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Matt Cansick, who is Account Manager at BMG Production Music and has a BA Honors in History from the University of Sheffield and also holds a private pilots license started his career at The Music Sales Group as their Third Party Licensing Administrator, from there he moved over the Warner/Chappell Production Music as a Music Consultant. After two and a half years at Warner/Chappell he took the position of Senior Music Consultant at Amphibious Zoo Music, which led him to his current position at BMG Production Music. And joining Matt is Emily Richardson. Emily, who is Head of Creative, Film & Trailers at The Music Sales Group and has a BA Honors in Music from the University of Sussex, started her career as an intern at Air Studios and then at Air-Edel. Her first Music Supervisor position was at SUPAJAM which lead her to Warner/Chappell Production Music where she held the position of Senior Music Consultant. From Warner Emily went on to be Director, Synchronisation at Nettwerk Music Group and from there to her current position at The Music Sales Group which is one of the world’s leading independent music publishing companies with offices around the globe.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention.  We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 09 60's R&B Soul and Northern Soul part 02 of 02 with Ivan Chandler and Billy Reeves
04-11-2019
Exploring Music E 09 60's R&B Soul and Northern Soul part 02 of 02 with Ivan Chandler and Billy Reeves
In this conversation Ivan Chandler and Billy Reeves discuss the origins, influences and the lasting effects of R&B, Soul and Northern Soul of the 1960's.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Ivan Chandler, of Musicalities which is one of the UK’s leading music consultancy companies, is an expert in music copyright. He is also a music supervisor, music licensing executive, music publisher, lecturer, a forensic musicologist, a music composer and a keyboard player (who, back in the 60’s played with Dusty Springfield and Cat Stevens among others). In the 1980's Ivan was head of Motown publishing in the UK.And joining Ivan is Billy Reeves who is a songwriter, musician, record producer and an award-winning BBC Radio producer and broadcaster.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure. Support the show (
Exploring Music E 08 60's R&B Soul and Northern Soul part 01 of 02 with Ivan Chandler and Billy Reeves
04-11-2019
Exploring Music E 08 60's R&B Soul and Northern Soul part 01 of 02 with Ivan Chandler and Billy Reeves
In this conversation Ivan Chandler and Billy Reeves discuss the origins, influences and the lasting effects of R&B, Soul and Northern Soul of the 1960's.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Ivan Chandler, of Musicalities which is one of the UK’s leading music consultancy companies, is an expert in music copyright. He is also a music supervisor, music licensing executive, music publisher, lecturer, a forensic musicologist, a music composer and a keyboard player (who, back in the 60’s played with Dusty Springfield and Cat Stevens among others). In the 1980's Ivan was head of Motown publishing in the UK.And joining Ivan is Billy Reeves who is a songwriter, musician, record producer and an award-winning BBC Radio producer and broadcaster.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 07 Left Field Electro part 02 of 02 with Adam Bushell and Adam Lieber
04-11-2019
Exploring Music E 07 Left Field Electro part 02 of 02 with Adam Bushell and Adam Lieber
In this conversation Adam Bushell and Adam Lieber discuss the original artists of the electronic music known as Left Field and the long lasting effects they have had on popular music.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Adam Bushell, is a freelance music supervisor who has experienced many sides of the sync licensing industry. Starting out as a music supervisor at Soundtree Music, then working in the synchronisation department at publisher Spirit Music Group. And most recently as founder and Creative Director of Tin Drum Music, where he oversaw the music for the Engine Group.And joining Adam is our second Adam. Adam Lieber who has a Bachelor of Fine Arts degree from the University of Cape Town where he DJed and threw large scale events hosting the likes of ninja tune and other artists. He studied sound design, performance and audio/visual production at Fabrica and has a MA in communication art and design from the Royal College of Art. Adam Lieber, for over 11 years, has been running his own company Shtik, which provides bespoke sonic solutions and composition for advertising, film, television, brand identity, digital and interactive experiential media. Plus, over the same time, Adam has been the Director of Schmutz Films which is a boutique production studio specialising in music, fashion, the arts & of course food, because apparently, they love to eat, feed folks and believe food is the way forward! Plus, and I am serious here, Adam is a serial-fermentor teaching the magic of fermentation in his spare time. But before all this Adam was at Soundtree Music as a freelance music supervisor, composer and sound designer for 6 years.  We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 06 Left Field Electro part 01 of 02 with Adam Bushell and Adam Lieber
04-11-2019
Exploring Music E 06 Left Field Electro part 01 of 02 with Adam Bushell and Adam Lieber
In this conversation Adam Bushell and Adam Lieber discuss the original artists of the electronic music known as Left Field and the long lasting effects they have had on popular music.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention.Adam Bushell, is a freelance music supervisor who has experienced many sides of the sync licensing industry. Starting out as a music supervisor at Soundtree Music, then working in the synchronisation department at publisher Spirit Music Group. And most recently as founder and Creative Director of Tin Drum Music, where he oversaw the music for the Engine Group. And joining Adam is our second Adam. Adam Lieber who has a Bachelor of Fine Arts degree from the University of Cape Town where he DJed and threw large scale events hosting the likes of ninja tune and other artists. He studied sound design, performance and audio/visual production at Fabrica and has a MA in communication art and design from the Royal College of Art. Adam Lieber, for over 11 years, has been running his own company Shtik, which provides bespoke sonic solutions and composition for advertising, film, television, brand identity, digital and interactive experiential media. Plus, over the same time, Adam has been the Director of Schmutz Films which is a boutique production studio specialising in music, fashion, the arts & of course food, because apparently, they love to eat, feed folks and believe food is the way forward! Plus, and I am serious here, Adam is a serial-fermentor teaching the magic of fermentation in his spare time. But before all this Adam was at Soundtree Music as a freelance music supervisor, composer and sound designer for 6 years. Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention.   We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 05 60`s Acoustic Music Explosion part 02 of 02 with Greg Brimson and Bob Brimson
04-11-2019
Exploring Music E 05 60`s Acoustic Music Explosion part 02 of 02 with Greg Brimson and Bob Brimson
In this conversation Greg Brimson and Bob Brimson discuss the origins, influences and continued influence of the 1960's British acoustic music explosion from first hand experience. Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Spotify has no Derek Brimstone (what?!?) so here is a video of him live in 1994.Greg Brimson, a multi award winning Producer, Remixer, Studio Engineer, Musician and composer who has achieved international chart success working with artists as diverse as Eminem, The Levellers, Gary Numan, Bush, Natalie Imbruglia and on and on. He is founder of Defacto Records and Tuune TV plus he continues to be active in A&R consulting.And joining Greg is his brother Bob Brimson who spent the last 20 odd years fronting up Universals live operation and video departments.  Starting out as guitar tech and tour manager for the likes of Terence Trent D’Arby, Alison Moyet and Kirsty McColl, then co-manager of Britpop outfit Echobelly and a short stint with his heroes XTC he took the company shilling as Head of A&R for Arista Records but soon moved to Universal – he semi-retired after being in charge of the spending for the opening and closing ceremonies of the Olympic Games in London in 2012.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 04 60`s Acoustic Music Explosion part 01 of 02 with Greg Brimson and Bob Brimson
04-11-2019
Exploring Music E 04 60`s Acoustic Music Explosion part 01 of 02 with Greg Brimson and Bob Brimson
In this conversation Greg Brimson and Bob Brimson discuss the origins, influences and continued influence of the 1960's British acoustic music explosion from first hand experience. Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Spotify has no Derek Brimstone (what?!?) so here is a video of him live in 1994.Greg Brimson, a multi award winning Producer, Remixer, Studio Engineer, Musician and composer who has achieved international chart success working with artists as diverse as Eminem, The Levellers, Gary Numan, Bush, Natalie Imbruglia and on and on. He is founder of Defacto Records and Tuune TV plus he continues to be active in A&R consulting.And joining Greg is his brother Bob Brimson who spent the last 20 odd years fronting up Universals live operation and video departments.  Starting out as guitar tech and tour manager for the likes of Terence Trent D’Arby, Alison Moyet and Kirsty McColl, then co-manager of Britpop outfit Echobelly and a short stint with his heroes XTC he took the company shilling as Head of A&R for Arista Records but soon moved to Universal – he semi-retired after being in charge of the spending for the opening and closing ceremonies of the Olympic Games in London in 2012.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure. Support the show (
Exploring Music E 03 Diving and Syncing Lost Gems with Mark Garfield and Jonathan Watts part 03 of 03
04-11-2019
Exploring Music E 03 Diving and Syncing Lost Gems with Mark Garfield and Jonathan Watts part 03 of 03
In this conversation Mark Garfield and Jonathan Watts discuss the obscure gems they find more and more called for in sync licensing.Click to listen to a Spotify playlist with all the music mentioned in the 3 parts of this conversation, all listed in order of mention.  Mark Garfield of Pop-Up Music and Jonathan Watts of Adelphoi Music discuss the rare finds, the lost gems, the unusual music that they have unearthed for use in visual media sync licensing. Mark Garfield is the founder and co-director of Pop-Up Music, a global music library and publisher that provides music for sync licensing. Pop-Up has placed music with global advertising agencies such as McCann Erickson and Saatchi and Saatchi, in ad campaigns for Estee Lauder and NAB, in films such as Once Upon A Time In Hollywood, Vox Lux (the Natalie Portman movie) and Prospect, in video games like Far Cry 5, in TV series for Netflix, CBS, BBC, Starz and The History Channel among many others. Pop-Up has built a very interesting catalogue that covers a lot of quite unusual music. Mark is also a professional musician who has toured and recorded as a drummer for over twenty years, plus he has a long history of music production and song writing. And joining Mark is Jonathan Watts. Jonathan is music producer and music supervisor at the multi award winning Adelphoi Music, which is a team of musicians, composers, producers, DJs and passionate music fans and whose extensive client list includes Nike, Lacoste, Qatar Airways, BMW, Ralph Lauren, Virgin, Amazon, Google, among many other world leading companies. Before his close to 5 years at Adelphoi, Jonathan held positions of Head of Production at Tsunami Music, Music Supervisor and Partnerships Manager at Square Enix specifically working on the game Sleeping Dogs, Business Development Manager plus Radio Presenter at the Ministry of Sound.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 02 Diving and Syncing Lost Gems with Mark Garfield and Jonathan Watts part 02 of 03
04-11-2019
Exploring Music E 02 Diving and Syncing Lost Gems with Mark Garfield and Jonathan Watts part 02 of 03
In this conversation Mark Garfield and Jonathan Watts discuss the obscure gems they find more and more called for in sync licensing.Click to listen to a Spotify playlist with all the music mentioned in the 3 parts of this conversation, all listed in order of mention. Mark Garfield of Pop-Up Music and Jonathan Watts of Adelphoi Music discuss the rare finds, the lost gems, the unusual music that they have unearthed for use in visual media sync licensing. Mark Garfield is the founder and co-director of Pop-Up Music, a global music library and publisher that provides music for sync licensing. Pop-Up has placed music with global advertising agencies such as McCann Erickson and Saatchi and Saatchi, in ad campaigns for Estee Lauder and NAB, in films such as Once Upon A Time In Hollywood, Vox Lux (the Natalie Portman movie) and Prospect, in video games like Far Cry 5, in TV series for Netflix, CBS, BBC, Starz and The History Channel among many others. Pop-Up has built a very interesting catalogue that covers a lot of quite unusual music. Mark is also a professional musician who has toured and recorded as a drummer for over twenty years, plus he has a long history of music production and song writing. And joining Mark is Jonathan Watts. Jonathan is music producer and music supervisor at the multi award winning Adelphoi Music, which is a team of musicians, composers, producers, DJs and passionate music fans and whose extensive client list includes Nike, Lacoste, Qatar Airways, BMW, Ralph Lauren, Virgin, Amazon, Google, among many other world leading companies. Before his close to 5 years at Adelphoi, Jonathan held positions of Head of Production at Tsunami Music, Music Supervisor and Partnerships Manager at Square Enix specifically working on the game Sleeping Dogs, Business Development Manager plus Radio Presenter at the Ministry of Sound.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure. Support the show (
Exploring Music E 01 Diving and Syncing Lost Gems with Mark Garfield and Jonathan Watts part 01 of 03
04-11-2019
Exploring Music E 01 Diving and Syncing Lost Gems with Mark Garfield and Jonathan Watts part 01 of 03
In this conversation Mark Garfield and Jonathan Watts discuss the obscure gems they find more and more called for in sync licensing.Click to listen to a Spotify playlist with all the music mentioned in the 3 parts of this conversation, all listed in order of mention. Mark Garfield of Pop-Up Music and Jonathan Watts of Adelphoi Music discuss the rare finds, the lost gems, the unusual music that they have unearthed for use in visual media sync licensing. Mark Garfield is the founder and co-director of Pop-Up Music, a global music library and publisher that provides music for sync licensing. Pop-Up has placed music with global advertising agencies such as McCann Erickson and Saatchi and Saatchi, in ad campaigns for Estee Lauder and NAB, in films such as Once Upon A Time In Hollywood, Vox Lux (the Natalie Portman movie) and Prospect, in video games like Far Cry 5, in TV series for Netflix, CBS, BBC, Starz and The History Channel among many others. Pop-Up has built a very interesting catalogue that covers a lot of quite unusual music. Mark is also a professional musician who has toured and recorded as a drummer for over twenty years, plus he has a long history of music production and song writing. And joining Mark is Jonathan Watts. Jonathan is music producer and music supervisor at the multi award winning Adelphoi Music, which is a team of musicians, composers, producers, DJs and passionate music fans and whose extensive client list includes Nike, Lacoste, Qatar Airways, BMW, Ralph Lauren, Virgin, Amazon, Google, among many other world leading companies. Before his close to 5 years at Adelphoi, Jonathan held positions of Head of Production at Tsunami Music, Music Supervisor and Partnerships Manager at Square Enix specifically working on the game Sleeping Dogs, Business Development Manager plus Radio Presenter at the Ministry of Sound. Click to listen to a Spotify playlist with all the music mentioned in the 3 parts of this conversation, all listed in order of mention. We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the show (
Exploring Music E 25 Covers for Visual Media with Shana Burton and Simon Fairchild
30-12-2019
Exploring Music E 25 Covers for Visual Media with Shana Burton and Simon Fairchild
For this episode, which is titled ‘Covers for Visual Media’ – discussing cover recordings of mainstream tracks for visual media with a focus on the theme and period’ we are very fortunate to have with us Shana Burton and Simon Fairchild.Click to listen to a Spotify playlist with all the music mentioned in this conversation, all listed in order of mention. Please take our survey and let us know what you think, any and all feedback is very appreciated.  Shana Burton, who has a BA in Musicology from the University of South Africa with a focus on the history and composition of Art Music and World Music and she holds a Masters Degree in Music Performance from the University of West London, started her music career in South Africa by making a name for herself as a session singer and touring South Africa in an all-girl singing group.After relocating to London England and obtaining her Masters Degree she found opportunities working in sync licensing. Starting with Lander PR and currently as the sync coordinator for Milky Bomb Records.And joining Shana is Simon Fairchild who has a BA (Hons) degree in Creative Music Technology and Music from Anglia Ruskin University, Cambridge, studied recording engineering and music at Lebanon Valley College, Annville, Pennsylvania in the US and has over 25 years experience in the music industry is the founder and managing director of Milky Bomb Records with releases covering such eclectic styles as Alternative Rock/Metal, Prog/Math Rock, Grunge/Punk, Jazz/Funk/Rock Fusion, Electronica, Trip-Hop, Electro-pop and Hard Dance Vibes. Simon is also a musician playing bass with experimental bands including Moonjuice, Logicbrake, and currently the Jazz/Funk/Rock fusion 3 piece Thirteen. He has also been involved with many other groups and recordings including Back Down or Die, Clara Kousah, Trailing Cable and Burning Haus.We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know. If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the showSupport the show (
Exploring Music E 24 Touring Musicians part 02 of 02 with Jon Altham and Michael Patrick
30-12-2019
Exploring Music E 24 Touring Musicians part 02 of 02 with Jon Altham and Michael Patrick
For this episode, which is titled ‘Tour Musicians’ we are very fortunate to have with us Jon Altham and Mike Patrick. They discuss tips and advice for touring musicians with inspiring stories.and some horror stories. All lessons along the way.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Please take our survey and let us know what you think, any and all feedback is very appreciated.  Jon Altham, who is CEO, Music Supervisor & Film Composer at SoundWave Studios in London which is a Premium Music Production Company providing bespoke music to high-end production companies with their team of award-winning Composers, Orchestrators, Engineers and Producers who are able to provide music across multiple film genres. Jon has been involved in many aspects of the music industry before joining SoundWave including Casting Professional at StarNow, Panelist for the Warner Music Group Soundboard, Artist Manager for Award-Winning Instrumentalists' NIRIS, and freelance Music Supervision and freelance Music Composition.And joining Jon is Mike Patrick, a recent addition to the SoundWave Studios team, is a keyboardist, composer, arranger and producer who started playing music as a toddler on a home electric organ his father bought. Growing up he developed a keen ear for exploring and developing sounds. Enjoying film and animated music especially, he architected his own unique sound demonstrating a signiture level of emotion through his playing. Mike is the first British musician to create a sound bank for the renowned Swedish keyboard company 'Nord', which shows the level of respect he is given for his knowledge of keyboards and programming. Mike has not only spent extensive time in production and arranging but also touring internationally as a keyboard player with top artists including Jake Bugg, James Arthur, The Streets and more. We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure. Support the showSupport the show
Exploring Music E 23 Touring Musicians part 01 of 02 with Jon Altham and Michael Patrick
30-12-2019
Exploring Music E 23 Touring Musicians part 01 of 02 with Jon Altham and Michael Patrick
For this episode, which is titled ‘Tour Musicians’ we are very fortunate to have with us Jon Altham and Mike Patrick. They discuss tips and advice for touring musicians with inspiring stories.and some horror stories. All lessons along the way.Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Please take our survey and let us know what you think, any and all feedback is very appreciated.  Jon Altham, who is CEO, Music Supervisor & Film Composer at SoundWave Studios in London which is a Premium Music Production Company providing bespoke music to high-end production companies with their team of award-winning Composers, Orchestrators, Engineers and Producers who are able to provide music across multiple film genres. Jon has been involved in many aspects of the music industry before joining SoundWave including Casting Professional at StarNow, Panelist for the Warner Music Group Soundboard, Artist Manager for Award-Winning Instrumentalists' NIRIS, and freelance Music Supervision and freelance Music Composition. And joining Jon is Mike Patrick, a recent addition to the SoundWave Studios team, is a keyboardist, composer, arranger and producer who started playing music as a toddler on a home electric organ his father bought. Growing up he developed a keen ear for exploring and developing sounds. Enjoying film and animated music especially, he architected his own unique sound demonstrating a signiture level of emotion through his playing. Mike is the first British musician to create a sound bank for the renowned Swedish keyboard company 'Nord', which shows the level of respect he is given for his knowledge of keyboards and programming. Mike has not only spent extensive time in production and arranging but also touring internationally as a keyboard player with top artists including Jake Bugg, James Arthur, The Streets and more. We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the showSupport the show (
Exploring Music E 22 Games Music part 02 of 02 with Alastair Lindsay and Justin Andree
30-12-2019
Exploring Music E 22 Games Music part 02 of 02 with Alastair Lindsay and Justin Andree
For this episode, which is titled ‘Games Music’ we are very fortunate to have with us Alastair Lindsay and Justin Andree. Alastair and Justin discuss Games Music from the beginning of music in video games to what we might be seeing in the future and so much in between. Click to listen to a Spotify playlist with all the music mentioned in the 2 parts of this conversation, all listed in order of mention. Please take our survey and let us know what you think, any and all feedback is very appreciated.  Alastair Lindsay, an award-winning Sound Designer and Composer, who studied at the Cleveland College of Art and the Dewsbury & Batley College of Art & Design and holds a Diploma in Music from the Open University is currently Head of Audio at Cord Worldwide which creates music that connects global brands to their audiences. They are a team of creators, artists, producers and supervisors with offices in London, Madrid and Warsaw. They say they are a little different and they like it that way. Before joining Cord, Alastair spent 13 years at Sony Interactive Entertainment Europe, starting at the position of Senior Sound Designer and Composer and working his way up to Head of Audio. Previous to this he had over ten years’ experience in working professionally in Sound Design and Composition including 5 years at Sony Computer Entertainment Europe.Alastair is passionate about interactive media with a deep understanding of video games and how they are produced, from a number of different genres, social, cinematic to AR/VR games.  And joining Alastair is Justin Andree who holds a Bachelor of Science degree in Music Technology from Staffordshire University is Senior Music Supervisor at Cord Worldwide. Justin has worked most of his career in the music industry including holding the position of Producer and Music Supervisor at Adelphoi Music. He has also had experience at Apply and Getty Images. As a Music Supervisor for Video Games and TV he is forever searching for interesting music and talented folk to work and collaborate with. He is an avid gamer, animal gif expressionist and claims doesn't always talk in third person. We decided that just conversation on podcasts was lacking atmosphere, so we have written and recorded unique music for each conversation. The players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses and let us afford to travel to far off lands to interview some of the most interesting and experienced music industry professionals about the music they treasure.Support the showSupport the show (